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Part of my Memphis Minnie ebook.ミニーちゃんスタイルって??
Open G tuning, capo 2nd fret
The ebook contains :
2 Memphis Minnie style songs in open G (DGDGBD)
completely tabbed out and video lessons for every verse.
First song is the instrumental "Minnie's Blues",
http://www.youtube.com/watch?v=gmdptH...
the second one is "When The Levee Breaks"
I'm playing a 1927 Supertone, the so-called Lindbergh model
To order : go to my website http://www.daddystovepipe.com
and click on the "buy now" logo that will direct you to Paypal
The lessons and videolinks are sent as pdf files
cost : €7.5 (about $10)
Check out Del Rey's site. She's an expert on Memhis Minnie's playing.
http://hobemianrecords.com/memphismin...
a short talk and demo of my parlor guitarsRAGがパーラーギターと呼べるのかは分からんが、
Learn more about the guitars and dealers
http://www.stellaguitars.com/index.html
http://vintageparlorguitars.com/
http://www.bluesguitarinstitute.com/s...
http://en.wikipedia.org/wiki/Parlor_g...
Vist my channel for more great blues & be sure to check out my personal favourites... this vid - Street scene John Lee Hooker performs Boom Boom with the Jake & Elwood Blues in the crowd思わず腰振って踊りだしたくなるような・・・
*Visit channel for the best blues on Yout Tube - you2ubeBlues - for indi & mainstream blues.
Howlin' Wolf defines the Blues while slamming Son House, then performs "Meet Me In The Bottom" with the help of his Band. It's not apparent What sets Wolf off, as Son House is off mic and inaudible, but I speculate that Son may have interrupted Wolf's oration with his own famous assessment of the Blues; "Ain't but one kind of Blues..., and that consists between male and female that's in love". Howlin' Wolf's take on the Blues, as stated in this clip, echoes, at least in part, two of the Four Noble Truths of Buddhism. I'm not going into that here, I just thought it was an interesting point to throw out there. We who love the Blues, in this form or that, all have our own sense of what the Blues is..., but none of us who love the Blues, in this form or that, is perplexed by the fact that this relatively simple, yet highly expressive style of music endures. The Blues is inextricable from the human condition because, to paraphrase Henry Wadsworth Long fellow, "Into every life, a little rain must fall".
Mississippi John Hurt (with guest Al Wilson) and Skip James each play a few songs and talk with Phil Spiro on WTBS-FM (Cambridge, MA) c. October 1964...followed by an ad for the 1964 elections!応援ポチっ頼んます。だあけみ
How did I get so far gone応援ポチっ頼んます。だあけみ
Where do I belong
And where in the world did I ever go wrong
If I took the time to replace
What my mind erased
I still feel as if I'm here but I'm gone
Porched up in a rocking-chair
With my feet all bare
Rolling my blunt in a cigar wrap
Live an adolescent mind
never do take the time
Waiting for my high, quiet as it's kept
How did I get so far gone
Where do I belong
And where in the world did I ever go wrong
If I took the time to replace
What my mind erased
I still feel as if I'm here but I'm gone
Mama told me I was best
Argue and punch in my chest
Son now be strong, let me take you home
I'd see in her eyes so sincere
Screaming, what got me here
Standing in the world and with my mind all blown
How did I get so far gone
Where do I belong
And where in the world did I ever go wrong
If I took the time to replace
What my mind erased
I still feel as if I'm here but I'm gone
How did I get so far gone
Where do I belong
And where in the world did I ever go wrong
If I took the time to replace
What my mind erased
I still feel as if I'm here but I'm gone
I do nothing but waste all my time
Leaving the world behind
Smoking my crack just to keep me high
Around the boys I play my part rough
Keep myself tough enough
Never to cry
Don't really want to die
How did I get so far gone
Where do I belong
And where in the world did I ever go wrong
If I took the time to replace
What my mind erased
I still feel as if I'm here but I'm gone
How did I get so far gone
Where do I belong
And where in the world did I ever go wrong
If I took the time to replace
What my mind erased
I still feel as if I'm here but I'm gone
DVD: http://rutracker.org/forum/viewtopic....二時間半もあるがな・・・(・∀・)
1.Commaraderie
2.Style
3.Strasbourg
4.Divine
5.Trust
6.Never let me go
7.Nothing serious
8.Theme
9.Depth
10.Close your eyes
11.A time for love
12.Starmaker
13.Im not so sure
14.Speak low
15.The challenge
16.Blues for Paul
Roy Hargrove -trumpet
Justin Robinson- alto sax
Gerald Clayton - piano
Danton Botler - bass
Montez Coleman- drums
★★★★ Curta/Like: https://www.facebook.com/MuroDoClassi...フルアルバムげな・・・(・∀・)
Siga/ Follow: http://gplus.to/MuroDoClassicRock
Download: https://mega.co.nz/#!Ql4HBZSD!UmjhnSY...
Senha/Password: muro
Disc 1
00:00 - 01. Last Fair Deal Gone Down
02:35 - 02. I Believe I'll Dust My Broom
05:36 - 03. Sweet Home Chicago
08:40 - 04. Rambling On My Mind
11:05 - 05. When You Got A Good Friend
14:00 - 06. Come On In My Kitchen
16:40 - 07. Terraplane Blues
19:44 - 08. Phonograph Blues
22:21 - 09. 32-20 Blues
25:17 - 10. They're Red Hot
28:19 - 11. Dead Shrimp Blues
30:54 - 12. Cross Road Blues
33:28 - 13. Walking Blues
36:02 - 14. Last Fair Deal Gone Down
Disc 2
38:43 - 01. Preaching Blues (Up Jumped The Devil)
41:38 - 02. If I Had Possession Over Judgement Day
44:17 - 03. Stones In My Passway
46:50 - 04. I'm A Steady Rollin' Man
49:30 - 05. From Four Till Late
51:57 - 06. Hellhound On My Trail
54:37 - 07. Little Queen Of Spades (Take 2)
56:56 - 08. Malted Milk
59:18 - 09. Drunken Hearted Man (Take 2)
01:01:42 - 10. Me And The Devil Blues (Take 2)
01:04:16 - 11. Stop Breakin' Down Blues (Take 1)
01:06:37 - 12. Traveling Riverside Blues
01:09:28 - 13. Honeymoon Blues
01:11:49 - 14. Love In Vain (Take 1)
01:14:23 - 15. Milkcow's Calf Blues (Take 3)
The Complete Recordings is a compilation album by American blues musician Robert Johnson, released August 28, 1990 on Columbia Records. The album's recordings were recorded in two sessions in Dallas and San Antonio, Texas for the American Record Company (ARC) during 1936 and 1937. Most of the songs were first released on 78rpm records in 1937. The Complete Recordings contains every recording Johnson is known to have made, with the exception of an alternate take of "Travelling Riverside Blues".
The Complete Recordings peaked at number 80 on the Billboard 200 chart. The album has sold more than a million copies, and won a Grammy Award in 1991 for "Best Historical Album." In 1992, the Blues Foundation inducted the album into the Blues Hall of Fame. It also was included by the National Recording Preservation Board in the Library of Congress' National Recording Registry in 2003.The board selects recordings in an annual basis that are "culturally, historically, or aesthetically significant".
Neste disco está o marco zero do blues e de todas as ramificações que surgiram posteriormente -- rock, soul, funk e tudo mais, tocado de maneira absurdamente fenomenal para os padrões da década de vinte. Sozinho ao violão, Johnson condensou nas 29 canções incluídas nos dois CDs deste box set não apenas tudo o que gravou em sua curta vida -- algumas delas aparecem aqui em dois takes diferentes -, mas também toda a linguagem que a civilização ocidental precisava para fazer música fora do ambiente erudito.
Aqui estão as versões originais de inúmeros clássicos que seriam revisitados décadas depois por grandes astros, como "Sweet Home Chicago", "Rambling on My Mind", "Cross Road Blues" (as três regravadas por Eric Clapton), "Travelling Riverside Blues" (que recebeu versão do Led Zeppelin) e "Love in Vain" (que foi um dos primeiros sucessos dos Rolling Stones).
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