ClipViViっ、オマイらもBluezを聴けっっ

2010年2月19日(金)
京都先斗町スターダストクラブ
市川芳枝(vo) 田中晴之(g) 久井コージ(g)

別のかたがアップロードされていたのを拝見して、たしか私もあったなと思い、改めて観直すと画質が割に良かったのでアップロードしてみました。でも余計なお世話かも、どうかお許しを・・・
今では貴重なドリフのステージ、楽しんで下さいね♪

Album: Too Much Weekend
https://www.amazon.com/Much-Weekend-G...
Lyrics:
The sky is crying,
Can you see the tears roll down the street.
The sky is crying,
Can you see the tears roll down the street.
I've been looking for my baby
And I've been wondering where can she be
I my baby early one morning
She was walking on down the street
I my baby early one morning
She was walking on down the street
You know it hurt me, hurt me so bad
It made my poor heart skip a beat
I got a real, real bad feeling
That my baby she don't love me no more
I got a real, real bad feeling
That my baby she don't love me no more
You know the sky's been crying
Can see you see the tears roll down my door

Bassist Ron Carter stands today as a living Jazz legend. His tenure with Miles Davis established him as one of the masters of the acoustic bass, and thankfully, he is still around making great music. When I listen to this album, I get a feeling that he was not too "cerebral" about it. He just gathered two brilliant musicians, and let the music happen in an easygoing flow among them. For masters like Ron, Kenny and Lewis, great things happen even if they don't break a sweat. From the ligthly swung version of "So What", to Ron's own joyfully simple melodies, this album is just a great example of cohesive and inspired Jazz trio playing. By MusicFreak

Acoustic bass virtuoso Ron Carter plays sophisticated jazz that sizzles with energy, his style well-matched by pianist Kenny Barton and drummer Lewis Nash in this trio setting. The title track is a great treatment of the bebop classic, Carter setting up the theme for Barron to let loose a series of improvisations that builds to double-time. -- Jazz Times

In this felicitous setting Carter’s finest qualities as a bassist--not always apparent in his other albums that emphasize concept and composition--now come though [such as] his solid but ever-driving rhythms and his impeccably accurate pitch. -- The Los Angeles Times

While there are touchstones to his famous past--he played the title track frequently as a member of Miles Davis' '60s quintet--the always innovative Carter pushes forward with a sound as fresh as ever. -- USA Today


Ron Carter's recordings as a leader have varied in shape and style, from his contemporary commercial CTI recordings, his Milestone LP's emphasizing the piccolo bass, more symphonic efforts, and straight-ahead efforts such as this one. With the extraordinary Kenny Barron at the piano and drummer Lewis Nash, Carter plays standards and four of his originals that all fall snugly into the modern mainstream of jazz. It's a relatively laid-back affair, as Barron's potential energy is for the most part subdued, while Nash and Carter lock in on a cooperative mindset.

In lieu of balance, the pianist tenderly wafts through a ballad version of "My Foolish Heart," leads out quaintly on "You'd Be So Nice to Come Home To," and springs along happily during the Randy Weston evergreen "Hi-Fly." There's more of a challenge to Carter's original material, as the cute tune "It's About Time" offers up tricky tandem playing from the bassist and Barron, "The Third Plane" is polite bop as the pianist slightly extrapolates, surrounding Carter's talk-back type melodic inserts, and while the emotional content of the trio darkens on the pensive, anticipatory "Three More Days."

There's a thin veil of swing and blues similar to the standard "Too Close for Comfort" on "Eddie's Theme," while the opener "So What," a song Carter played with Miles Davis and on his own a thousand times, sports his lead bass melody line with a freshness that is reinvented. Truly a team effort, this consistently well-played set should remind us all how brilliant these players are, especially with the cool Count Basie concept of "less is more" in mind. by Michael G. Nastos

1. So What 00:00
2. You'd Be So Nice To Come Home To 06:47
3. It's About Time 11:21
4. My Foolish Heart 16:34
5. Hi-Fly 24:48
6. 3 More Days 30:50
7. Eddie's Theme 38:25
8. The Third Plane 42:19

RON CARTER- bass
KENNY BARRON- piano
LEWIS NASH- drums

Recording Date:January 4, 1998
BLUE NOTE

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"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

I do not own the rights to this material. Copyright infringement is not intended. If you are the owner of the copyright and want to remove the music please contact me. Thanks!
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Thanks to all friends who hear and share your comments with us. Motivates me to continue to share albums with you all. Thank you!
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When cool-toned guitarist Johnny Smith left New York for Colorado in the mid-'50s, he didn't hang up his guitar. He continued to play locally and make occasional trips back to the Big Apple to record. The two sessions included on The Sound of the Johnny Smith Guitar were the results of two trips in 1960 and 1961. Just about everything goes right on these sessions.

Smith's guitar especially shines in the company of pianist Hank Jones, bassist George Duvivier, and drummer Ed Shaughnessy in the second set. There's a lovely, soulful version of "'Round Midnight," with a nice long solo by Smith (he even bends a blue note or two) and a shorter, though poignant one, by Jones. The band goes into overdrive for "This Can't Be Love," filling it with bouncy rhythm and sharp lead work. Pianist Bob Pancoast, bassist George Roumanis, and drummer Mousey Alexander join Smith on the 1960 session, originally issued as Johnny Smith Plus the Trio. As with the 1961 set, solid instrumental choices like "Some of

These Days" and "Hippo the Sentimental Hippy" brighten up the proceedings. The band also bravely tackles Bud Powell's "Un Poco Loco," kicking it off with an extended, fiery drum workout by Alexander. In fact, the band doesn't join in until the last minute of the piece. Whether one considers the choice selections, good accompaniment, or wonderful guitar work by Smith, The Sound of the Johnny Smith Guitar is a lovely album and a good introduction to a fine guitarist.
Ronnie D. Lankford, Jr. Source : allmusic.com/album/the-sound-of-the-johnny-smith-guitar-mw0000013721

Johnny Smith
The Sound of the
Johnny Smith Guitar

Tracks

1 Come Rain or Come Shine (Arlen, Mercer) 0:00
2 Gypsy in My Soul (Boland, Jaffe) 4:45
3 Embraceable You (Gershwin, Gershwin) 8:05
4 Misty (Burke, Garner) 12:59
5 As Long as There's Music (Cahn, Styne) 18:29
6 'Round Midnight (Hanighen, Monk, Williams) 22:24
7 This Can't Be Love (Hart, Rodgers) 26:52
8 Blues Chorale (LaPorta) 30:12
9 Prelude (Scriabin, Smith) 34:08
10 I Got It Bad (And That Ain't Good) (Ellington, Webster) 35:24
11 Let's Fall in Love (Arlen, Koehler) 38:06
12 I Can't Get Started (Duke, Gershwin) 40:26
13 Some of These Days (Brooks) 45:48
14 You Took Advantage of Me (Hart, Rodgers) 48:16
15 Over the Rainbow (Arlen, Harburg) 50:27
*
Personnel
[# 1-9]
Johnny Smith - g
Hank Jones - p
George Duvivier - b
Ed Shaughnessy - dr
[# 10-20]
Johnny Smith - g
Bob Pancoast - p
Bob Pancoast- b
Mousey Alexander - dr

Recorded in New York City ; 1960 & 1961.
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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. (If you are the owner of the copyright and want to remove the music sent mail to retobaaa (at) gmail (dot) .com) Thanks!

伊東妙子 (Gt,Vo)、篠田智仁 (Ba / COOL WISE MAN)によるギター・ヴォーカル、ベースのデュオ、T字路s初のオリジナル・フル・アルバム｢T字路s｣が完成。3月15日(水)にリリースします。

今作は、渋川清彦が主演し話題となった映画「下衆の愛」のために書き下ろした「はきだめの愛」や「あの野郎」のアルバム・バージョン、T字路s初の裏打ちソング「月明かりの夜」、ポップスの王道を行く名曲「最後の手紙」などの新曲や現在廃盤で入手困難な自主制作1st CD「T字路s」より「T字路sのテーマ」「交差点」「今朝の目覚めは悪かった」の3曲を再録音し収録した計12曲。

上山実 (カンザスシティバンド)、下田卓 (カンザスシティバンド)、西内徹 (REGGAE DISCO ROCKERS)がサポートメンバーとして参加。レコーディング、ミキシング・エンジニアは前作に引き続き内田直之が務めている。

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T字路s
2010年5月に結成。
伊東妙子 (Gt,Vo)、篠田智仁 (Ba / COOL WISE MAN)によるギターヴォーカル、ベースのデュオ。
2010年からコンスタントに作品を作り続け、2015年には初の全編カヴァーアルバムとなる「Ｔの讃歌」をリリース。2016年には映画「下衆の愛」に主題歌となる「はきだめの愛」を書き下ろして提供し、映画と共に話題を集めている。また、NHKのEテレ「シャキーン！」にも楽曲や演奏、歌唱を提供するなど広く支持される活動を続けている。
二人が織りなす音楽はブルースやフォーク、ロックンロールを飲み込みつつ、ジャンルの壁を超えるものであり、代表曲である「泪橋」や「これさえあれば」をはじめ、人生における激情や悲喜交交を人間臭く表現した楽曲たちがファンの心を鷲掴みにしている。

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T字路s / T字路s
発売日 : 2017年3月15日(水)
品番 : VSCD9731
税抜価格 : 2,700円
フォーマット : CD
レーベル : VIVID SOUND

収録曲
01. はきだめの愛
02. 交差点
03. 最後の手紙
04. 今朝の目覚めは悪かった
05. あの野郎 (アルバムバージョン)
06. 月明かりの夜
07. 小さき世界
08. 流れ者
09. おうちに帰りたい
10. 花束
11. 鐘は鳴る
12. T字路sのテーマ

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「はきだめの愛」MV

監督 : 内田英治
出演 : 内田慈
撮影 : JUNPEI SUZUKI, 畠山勇樹　
編集 : JUNPEI SUZUKI
メイク : 板垣美和
衣装 : 深野明美
衣装助手 : 吉田直美
協力 : 藤井宏二　
ロケ地協力 : 横浜ニューテアトル

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Vivid Sound Official Website : http://www.vividsound.co.jp/

T字路s Official Website : http://tjiros.net/

Mickey Baker, prolific studio musician, on guitar. http://www.ModCollectibles.com
Hank C. Burnette did a song with this title, but it is a completely different song that he says he "nicked" the title straight from THIS song.

戦前ブルース音源研究所

Night in Visby.